eine dringend benötigte veröffentlichung, die in keiner respektablen new beat-sammlung fehlen darf. die zweite und letzte single des zsa zsa laboum-projekts, die ursprünglich 1989 kurz nach dem erfolg von -something scary- veröffentlicht wurde.
damon wild and david sumner (aka functions) relationship dates back to 1991 at lord michaels future shock, limelight, new york city when damon was running experimental records via northcott productions. at the time, he first saw something in dave and added him to brand x, a record pool run by moneypenny. but their bond is based around a period 5 years later when dave had an apartment above rogue music at 251 west 30th street in midtown, manhattan. it was during this time damon developed him as a synewave artist and released his first ep as function in the fall of 1996 catalog number, sw-24. falling in and out of touch over the years, across continents, the two have somehow remained on the same cosmic path. so its not a coincidence that now damon has turned to dave to release his first album in 13 years, during the time he is reissuing that first synewave ep on recompiled i/ii & ii/ii (a-ton lp02/03). this is where those paths cross again 21 years later, this fall, dave will release cosmic path on infrastructure. the cosmic connection.
SPECTROGRAPHIES MUSIC FROM THE MOTION PICTURE BY SMITH (LP)
12 Inch LP Pre sale
during one long winter s night in a neon-lit paris, a restless young man wanders around to let himself be found by something that most people otherwise try to avoid: ghosts. and the night is full of unexpected encounters in this ultra-chic film, which is neither documentary nor fiction, but rather an adaptation of the idea that jacques derrida defines in a guest star appearance on the cinema screen: that film plus psychoanalysis is equal to the science of ghosts - ie. a form of spectrography , which the french artist smith in her self-ironic, self-conscious, science-fiction essay of a film, conjures up with thermal infrared and in the dialogue s mosaic of quotes of rambling french philosophy, from breton and barthes to merleau-ponty and derrida himself. hyper-modern and rich in (retro) references.
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